William Lawson, New Orchard, 1631:William Lawson, New Orchard, 1631: A New Orchard and Garden, or The Best Way for Planting, Grafting…, printed by Nicholas Okes for John Harison, at The Golden Vnicorne in Pater-Noster Row: 1631, title page with plate of men digging in orchard and titled "Skill and Paines bring fruitfu'l gaines", in four sections: "The Country Housewives Garden" (with title page), Simon Harward "A Most Profitable Newe Treatise, from approved experience of the art of propagating Plants", "The Husbandry of Bees", "The Husband-Man's Fruitfull Orchard", all edges gilt, numerous woodcut illustrations, diagrams of garden layouts, nicely rebound in speckled calf by Rivere with gilt lines, marbled end papers, spines with raised bands and morocco label, 134 pp., 7-3/8 x 5-3/4 in. Joints worn, small spine chips, most of interior with only light foxing, last five pages darker.
GEORGE INNESS OIL ON PANEL (AmericanGEORGE INNESS OIL ON PANEL (American 1825-1894) Titled ''The Orchard '' an olive-green meadow with apple trees and russet spots of weeds. In the middle ground is a small pond and in the far distance on the left stands a roof top among trees. The sky is a mixture of clouds with just a touch of highlights from the sun and pale blue sky with tall trees on the right. Image measures 20'' x 30''. Signed ''G. Inness'' lower right and dated 1885. Paper label from the William MacBeth Gallery 237 Fifth Avenue New York attached verso with title inscribed on label. The William MacBeth Gallery was located at this address from 1892-1906. Also a label from the Garfield Safe Deposit Co. New York is attached verso. The mahogany panel has a manufacturer's label attached verso that states ''French's Artist Board Patented June 29th 1880. This Board is `built-up' of three layers of Venners...'' and ''Manufactured only by E. F. French New York.'' George Inness was known to paint on these boards such as his painting titled ''Albano Italy'' located at Princeton University. Set in a gilt wood frame. ''The Orchard'' exhibits a Tonalist style with a Barbizon influence. Inness's signature style is emphasized in his deformation of space where the foreground sinks to the middle ground and the middle ground sinks to the background by varying and sometimes confusing uses of crisp delineation contrasted with mist enshrouded features. For example the objects in the foreground are just hints of grass and rocks while the center apple tree trunk is sharp and the wild flowers are sometimes sharp and sometimes just suggestions. And again in the background the roof line of the building in the distance is sharply delineated while the trees and fields around it are mass of tones and hazy shapes. The mission of his art was to see reality in a new light an attempt to attain the vision and insight of God. Inness believed that his paintings should speak of the harmony and unity between nature man and God. This was a constant struggle for him he felt that he was never able to finish a painting because the medium of oil never fully satisfied his quest for the unity of spiritual and physical sight. Inness claims to have destroyed more paintings than he sold because of this struggle. Provenance: passed down within the family. The painting is believed to have been purchased by the consignor's great grandfather John Henry Burgard. Burgard was a shipping magnate and insurance man who started his career in 1880 in Buffalo NY and moved to Portland Oregon in 1888 where he was an influential business man. Burgard was a member of the Portland City Council an organizer of the Metropolitan Street Railway Company an organizer of the Columbia Pacific Shipping Company Director of the Alaska Pacific Fisheries and on the directorate of various lumber and railway companies. The painting is in good condition.? There is some light inpainting mostly to the lower left and some frame wear as circled in red.? There is some?craquelure?where the paint has been heavily built-up and some inpainting to the craquelure.? The wood panel is in very good condition and shows no cracks or repairs.? The frame is in very good condition and is of recent make.
TERI GILFILEN APPLE ORCHARD LANDSCAPETERI GILFILEN APPLE ORCHARD LANDSCAPE PAINTING Florida,b.1954Impressionist depiction of an apple orchard with birds flying overhead illuminated by early morning light.
OIL ON MASO - 'In The Orchard'OIL ON MASO - 'In The Orchard' by Kenneth Gore (IL 1911 - ?) signed lr heavy impasto American Impressionist rendering ca 1960 in the original grey painted molded frame with cream liner SS: 19 1/2'' x 23 1/2'' OS: 27 1/2'' x 31 1/2'' fine condition fl
PAUL CAPONIGRO (b. 1932): APPLEPAUL CAPONIGRO (b. 1932): APPLE ORCHARD TESUQUE N.M. Chromogenic print 20 x 24 in. (sight sheet) signed under mat stamped on verso.
ARTIST UNKNOWN, E. 20TH C. VILLAGEARTIST UNKNOWN, E. 20TH C. VILLAGE WITH ORCHARD, OIL Oil on canvas, signed illegibly lr, 14 1/4 x 18 1/2 in., framed.
FERDINAND E. GRONE (BRITISH FL.FERDINAND E. GRONE (BRITISH FL. 1888-1919), IN THE ORCHARD, PASTEL ON PAPER, FRAMED, 29 X 23-3/4 INCHESFerdinand E. Grone (British fl. 1888-1919), In the Orchard, Pastel on Paper, Framed, 29 x 23-3/4 inches
Wallace Nutting hand colored photoWallace Nutting hand colored photo titled The Orchard Brook 17 1/4" x 9 1/2". ?
ANNE NICHOLS APPLE ORCHARD LANDSCAPEANNE NICHOLS APPLE ORCHARD LANDSCAPE PAINTING United States,20th CenturyImpressionist overview of an apple orchard and the farmland spread out past the trees.
William Moise (American 1922-1980)William Moise (American 1922-1980) "Spring Orchard". Oil on canvas signed at the lower right corner apprx. 24-1/2" x 37" framed in a wood floater frame overall apprx. 27" x 39-1/4". Label verso from the "Art in Embassies Program". Prov: from the collection of Frederick Hale McDuff.
Collection of stone fruit includingCollection of stone fruit including numerous clusters of grapes apples etc.
EUROPEAN SCHOOL: ORCHARD LANDSCAPEEUROPEAN SCHOOL: ORCHARD LANDSCAPE Oil on canvas 27 1/4 x 35 1/4 in. bearing date and signature M. Pechstein '19.
Mixed media signed and dated ''OrchardMixed media signed and dated ''Orchard II William McGee'' (1925-1999). Site 6 1/2'' x 4 1/2''.
ROLAND ROOD ( NY, 1863-1927) "TheROLAND ROOD ( NY, 1863-1927) "The Blossoming Apple Tree", 1910, oil on canvas, signed and dated lower right, in a replica fatigued gold carved frame, OS: 27 1/2" x 31 1/2", SS: 17 1/2" x 21 1/2", good condition.
Harry Orlyk (American b. 1947)Harry Orlyk (American b. 1947) "Seth Pruning Apple Trees". Oil on canvas signed at the lower right apprx. 9" x 12" framed in a wide gilt frame overall apprx. 16-1/4" x 19-1/4". Prov: from the collection of Frederick Hale McDuff.
WILLIAM HENRY CLAPP, AMERICAN (1879-1954),WILLIAM HENRY CLAPP, AMERICAN (1879-1954), "ORCHARD" LANDSCAPE WITH TREES AND BARN (A PAIR) , (A) OIL ON MASONITE, SIGNED "CLAPP" LO...WILLIAM HENRY CLAPP, American, (1879-1954) "Orchard" Landscape with Trees and Barn (A Pair), (a) oil on masonite, (b) oil on board (a) signed "Clapp" lower left, numbered "244" on a label on the reverse (b) unsigned, numbered "249" on a label on the reverse (a) oil on masonite, (b) oil on board Dimensions: (a) 7 3/8 x 8 3/4 inches (b) 7 3/8 x 8 7/8 inches Provenance: The artist's stepson; Laky Galleries, Carmel, California; Private Collection, Massachusetts; Shannon's, Milford, Connecticut, January 23, 2020, lot 156; Private Collection, Colorado Condition: Canvas: Not ApplicableCondition: Very GoodRestoration: NoneFrame: ReproductionComments: Recommend cleaning and varnish. We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
DEPARTMENT 56 SCULPTURE, HARVESTDEPARTMENT 56 SCULPTURE, HARVEST APPLE ORCHARDPart of the Original Snow Village lighting collection. Department 56 backstamp. This item has its original box: 10.75"L x 8"W x 14"H.
Issued: 20th century
Dimensions: 12"L x 9.5"W x 6"H
Manufacturer: Department 56
Condition:
Age related wear. Not tested functionality not guaranteed.
MARJORIE LEE O/B ABSTRACT LANDSCAPEMARJORIE LEE O/B ABSTRACT LANDSCAPE PAINTING, PEACH ORC...Marjorie Johnson Lee (Texas, 1911-1997) oil on board abstract landscape painting titled "Peach Orchard in Bloom" rendered in brightly hued impasto depicting a dense orchard bursting with pink foliage. Signed "M Lee" lower right corner. Titled, signed, and dated "painted in 1959" along with personal written inscription "1972 Jo Spuzzy: with all my love" in pen, en verso of backing. Housed in a giltwood frame with canvas liner. Sight: 9 3/8" H x 13 3/8" W. Framed: 14 3/4" H x 18 3/4" W. Artist biography: Marjorie Johnson Lee was one of the founders of the Fort Worth School of Artists (1932), which was established to expose Texans to abstract art. She attended Texas Christian University, Fort Worth School of Fine Arts, the Art Institute of Chicago, Colorado Springs Fine Arts Center, and the Arts Student League in New York. She volunteered alongside many other artists in the U.S. Navy WAVES during WWII including as a flight instructor and later lived in New York for many years. She returned to Texas in 1974 and continued painting until her death. (Source: The Old Jail Art Center Art Museum). Lee's paintings are in the collections of the Amon Carter Museum of American Art, the Grace Museum, and the Blanton Museum.
Condition:
Minor surface grime. Otherwise in overall very good condition.
THOMAS MORAN (UNITED STATES) 1837-1926.THOMAS MORAN (UNITED STATES) 1837-1926. MULFORD'S ORCHARD, EASTHAMPTON. ETCHING, 1883. REF: PARRISH ART MUSEUM (1987), NO. 207; GILC..Thomas Moran (United States) 1837-1926. Mulford's Orchard, Easthampton. Etching, 1883. Ref: Parrish Art Museum (1987), no. 207; Gilcrease 45; Fern 75. Ed: 100 ? Signed, dated and inscribed in the plate in reverse" Easthampton/ Sept 21st/Mulfords Orchard. Printed with brown ink on cream chine collé with margins, as issued. 293 x 448 mm. (11 1/2 x 17 5/8 in.)
PAULINE PALMER, (1867-1938), ORCHARDPAULINE PALMER, (1867-1938), ORCHARD IN SPRINGTIME, OIL ON PANEL, 14” H X 20” WPauline Palmer, (1867-1938) Orchard in springtime Oil on panel Signed lower right: Pauline Palmer 14" H x 20" W Oil on panel Dimensions: 14" H x 20" W
Litho ''Orchard Road'' signed andLitho ''Orchard Road'' signed and numbered 62/285. Sight 19 1/4'' x 26 1/2''.
GYÖRGY KEPES, (AMERICAN, 1906-2001),GYÖRGY KEPES, (AMERICAN, 1906-2001), TINKERTOY ORCHARD, 1982, OIL AND SAND ON CANVAS, 40 X 30 IN., FRAME: 41 3/4 X 31 3/4 IN.GYÖRGY KEPES, (American, 1906-2001) Tinkertoy Orchard, 1982, oil and sand on canvas signed, titled, dated, and numbered G. Kepes Tinkertoy Orchard 1982 16 verso 1982, oil and sand on canvas Dimensions: 40 x 30 in., frame: 41 3/4 x 31 3/4 in. Provenance: The Estate of a Gloucester, Massachusetts Couple. Condition: Very dusty, with surface dirt, dust, and grime. Paint stable. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
STILL LIFE OF FRUITStill Life ofSTILL LIFE OF FRUITStill Life of Fruit, oil on canvas, unsigned, in ornate gilt frame, 16" x 20". Provenance: Estate of Peter Tillou, Litchfield, Connecticut.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
Lot six misc. cotton fruit ornamentsLot six misc. cotton fruit ornaments including lemon pear apples.
LARGE COLLECTION OF STONE FRUIT:LARGE COLLECTION OF STONE FRUIT: Approx. 36 pieces of carved and dyed fruit to include pears grapes tangerines figs oranges and peaches. Age unknown.
Virginia Banks (1920-1985 Washington)Virginia Banks (1920-1985 Washington) ''Orchard Come Spring'' Oil on Burlap over Masonite 25''x30'' Image. An early Northwest abstraction. Signed l.r. image with Orcas Island Festival of the Arts exhibition label on verso. Original framing 30.5''x35.5''. Overall excellent condition.
WILLIAM CHANDLER FRUIT STILL LIFEWILLIAM CHANDLER FRUIT STILL LIFE PASTEL DRAWING New York, New Jersey,1854-1928Depicts oranges, green and purple grapes, and a single peeled orange bundled together on a light colored table.
Two Gardiner family theorems: oneTwo Gardiner family theorems: one a landscape with castle and figures near a bridge and one a still life with fruit and Chinese export bowl on ledge, signed lower right on cards with cut foil "PxCxG", watercolor and ink on velvet, American School, 19th century, 22 x 25-1/2 in.; matching 20th century wood frames, attributed to Phebe C. Gardiner of Gardiner's Island, New York. Both with toning and staining, mounted to wood panels, fading of blue in sky, retains strong coloring; frames with abrasions. By tradition, purchased directly from a Gardiner family member by Valdeman Jacobson, 1978; Private Collection, Tennessee.
GARY ERNEST SMITH "FRUTA, UTAHGARY ERNEST SMITH "FRUTA, UTAH BARN" LANDSCAPE O/C Gary Ernest Smith (American b. 1942), "Fruta, Utah Barn" 2007, oil on linen canvas depicting an architectural landscape of a barn with mountains in the background, signed to lower right, signed, titled, dated and inscribed Capital Reel plein air en verso, framed. Approximate measurements: canvas h. 12", w. 16"; frame h. 17. 5", w. 21. 375", w. eye hook d. 1. 625.
ORLANDO 1930S FRUIT CRATE, ORANGESVintageORLANDO 1930S FRUIT CRATE, ORANGESVintage circa 1930s wood fruit crate (Southland Fruit Co. of Orlando, packed by company in Lake Jem, Fla.), 1.6 bushel, measuring about 12x12x27. Loneoak paper label at one end covered with screwed down plexiglas. Original stenciling (Lonecedar and Loneoak) on side very strong.
Wallace Nutting Print ''The WayWallace Nutting Print ''The Way through the ''Orchard'' signed image area 6 3/4'' x 4 1/2''.
PHOTOGRAPH, ANSEL ADAMS Ansel AdamsPHOTOGRAPH, ANSEL ADAMS Ansel Adams (American, 1902-1984), "Orchard, Early Spring near Stanford University" from "Portfolio Four- What Majestic Word," 1963, gelatin silver print, signed lower right, published by Sierra Club, San Francisco, CA, set number 117, label verso, image/sheet: 10"h x 12.75"w, overall (with mat): 16"h x 18.25"w
WALLACE NUTTING, 'THROUGH THE ORCHARD'WALLACE NUTTING, 'THROUGH THE ORCHARD' AND UNTITLED AND FRED THOMPSON, 'HOME OF THE TROUT', THREE HAND-COLORED PHOTOGRAPHSWallace Nutting, 'Through the Orchard' and Untitled and Fred Thompson, 'Home of the Trout', Three Hand-Colored Photographs
CONTEMPORARY OIL ON CANVAS LANDSCAPEContemporaryCONTEMPORARY OIL ON CANVAS LANDSCAPEContemporary oil on canvas landscape of an orchard in bloom, signed indistinctly, sight - 19 1/2" x 23 1/2", frame - 23" x 27 1/2".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
Sculthorpe Peter [American 1948-]Sculthorpe Peter [American 1948-] watercolor painting of tree and white painted fence gate signed l.l. "P. Sculthorpe" and on studio label verso titled "Orchard Gate" and dated 1977. 8"x7"
GEORGE DAVIDSON (POLISH-AMERICAN,GEORGE DAVIDSON (POLISH-AMERICAN, 1889-1965), "APPLE BLOSSOM TIME", OIL ON CANVAS, LANDSCAPE OF ORCHARD WITH SINGULAR APPLE TREE IN...George Davidson (Polish-American, 1889-1965), "Apple Blossom Time", oil on canvas, landscape of orchard with singular apple tree in blossom at center, outbuildings in distance, unsigned, framed, not examined out of frame, wear consistent with age, minor craquelure, waving of canvas, etc., ss: 26 1/2" h. x 24 1/2" w.